Posted in theatre on May 16, 2007 |
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This is a play about the case of the Belgian couple who murdered their children in a hotel bedroom in Aalst in Belgium in 1999. It was originally put together by Pol Heyvaert and Dimitri Verhulst from original court and other material and performed in Flemish, causing protests, even although names had been changed. Duncan McLean was commissioned by the National Theatre of Scotland to produce this English language version (in Scots).
The play presents the couple, sitting about 2 metres apart facing the audience. There is a carpet, and a white curtain backdrop. The couple are asked questions by a third (unseen) man, and answer into microphones. It is a very very disturbing evening. The couple look straight out at us, not at eachother.
The stories of both emerge over the 70 minutes. Both were from very very poor backgrounds. She said that she was sexually abused by her father, who also had a string of live-in partners. He had already been convicted for numerous robberies. Both had spent time in care, and both clearly never been loved by anyone. He was very violent. She stayed with him because there was nowhere else for her to go, and she claimed to love him. Both had a very very low IQ. She was not even able to meet the qualifications to become a cleaner.
And in the disturbed twisted logic of the most unintelligent minds, we get a glimpse of possibly why they murdered their children. It was deeply uncomfortable to witness, and in this sparse setting, there was no hiding place. The audience was under constant challenge.
Which brings me to question the whole point of the play. I became less and less happy about it over the duration – why dramatise this for us to be voyeurs into such a desperate world? I don’t think I really learnt anything new, and I am not sure what the playright was asking us to take away from this, apart from the fact that there are some very desperate people out there who could and should receive more help from those of us more fortunate. I felt that this couple were beyond help though.
Kate Dickie and David McKay gave extraordinary performances as the couple. It must really take it out of them to inhabit these roles every night. The run and tour ends on the 19th, and I am sure they will be breathing sighs of relief.
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